Reading what was left of the original finish
Before lifting a scraper we spent time mapping the entrance: which sections of timber were sound, which were spongy, where the paint was simply tired and where it had failed completely. Generations of overpainting had blurred a lot of the moulding detail, and several of the turned spindles and tracery panels had open joints holding water. A like-for-like replacement was never the aim — the brief was to keep the original fabric and bring it back into proper working order.


